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Besides the classical Javanese dance-dramas and sendratari, Surakarta style and Yogyakarta style, there are other independent dances which have always been popular with Indonesians especially the Javanese. These dances rake the form of war-dances and love-dances. The dances used to be called beksan, wireng or petilan, but they are now called only by their names. Thus Damarwulan has saved Majapahit, and at the same time wins two beautiful wives, Anjasmara and Prabu Kenya.

Apart from, its function as property for holy ceremonies, we can also regard the nekara as a holy musical instrument. That is to say, this musical instrument Would be sounded only in religious ceremonies to accompany religious dances that were magical and sacral in nature. The Period of Feudal Seciety can be subdivided into four shorter periods, viz. Hindu-Indonesian period, Islamic period, tile period of Western Invasion and the period of the Indonesia national Movement.

At present, neither the bedaya nor the srimpi is so popular among the majority of the people. However, they are still cultivated continuously being given new choreographies and made more dynamic. Next there emerged in Surakarta other compositions of Javanese operas, the langen asmara and pranasmara. The langen asmara, which comes from the word langen meaning entertainment and the word asmara -meaning love, is a Javanese dance-opera Surakarta style, composed by Prince Prabu Widaya, son of King Paku Buwana.